Mixing b3 and 3 is often used by jazz musicians to create a bluesy sound. Now that you have the I7 arpeggio under your fingers, all you are going to do in order to address the IV7 chord in a jazz blues solo is change one note from that initial arpeggio. We also use the major blues scale to create bluesy phrases. You will not be disappointed! Descending triplets are a great way to add some jazz style speed to your blues licks. In this lesson we're going to explore the sounds that you get when you mix up blues and jazz sounds. Guitar lessons online from Active Melody includes over 120 lessons for acoustic, electric, blues, rock, jazz, country, various artist styles and much more. Thanks. Blue Notes are a drop of pitch of the 3, 5 and 7 of a major scale. Used in rock and blues, the minor pentatonic scale is also a staple of the jazz guitar sound, but used with fewer bends and with a bit of jazz flavor added to it. Blues Guitar Licks. The examples are in the key of E. These licks are some of the coolest you’ll find in jazz blues guitar lessons. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. @Gerd, By lowering the 3rd of the Bbmaj6 arpeggio you get a Bbm6 arpeggio. When playing over dominant chords in a bebop blues style, the b7 of the dominant chord is often played in the last part of the phrase to emphasize the transition to the next chord. Check out our first article about Emanuel and learn one another one of his Jazz Blues, this time in another tonality: Ab. Here’s a bluesy lick in the style of Herb Ellis, using the Bb major blues scale. I'm gonna introduce you to the slightly more elaborate 'jazz blues 12 bar form' as well as some soloing concepts to listen for and try to use in this style. We'll cover chromatic approaches, secondary dominant chords, shell voicings. Bb Jazz Blues. Here’s a variation of the previous lick, this time in the key of F, and with another cliche added on top. Next, we’ll have a look at a typical jazz blues solo over a blues in Bb. The following lick over F7 uses the F dominant bebop scale, a common choice in jazz to play over dominant chords. This lick uses the Harmonic Minor with some Pentatonic notes in to add to the familiar feel. Each of these techniques can be applied to a variety of musical situations. The instrument always sounds vaguely like a harpsichord. 30. The first part of this lick is a real blues cliche. The second half of the second bar uses the C minor pentatonic scale, which has a b3. 42. Jazz Blues Guitar Lick #2 (See video at 1:35) Whereas the last lick had a major blues sound, lick #2 … The notes of the Bbm6 arpeggio, when played over Eb7, produces the intervals 5-b7-9-3, giving you a rootless 9th arpeggio to use in your solos over the IV7 chord. It’s practice time! 43. This lick is taken right from the Pat Martino School of jazz blues soloing. December 21, 2020 by admin 0 Comments. Another favorite chord substitution of Wes Montgomery is an augmented major 7 chord built on the b7 of a dominant chord. This jazz blues lick uses the A minor blues scale to create an ascending and then descending line over an A7 chord. Article: Now’s the time to play jazz and blues, Article: Easy blues solo in the style of B.B King. Download Guitar Pro 7.5 free demo here: Guitar Pro 7.5 trial. Now that you have both of these shapes under your fingers, try soloing over a Bb blues progression using the Bb6 arpeggio for the Bb7 chord, and the Bbm6 arpeggio for the Eb7 chord. By the way – GP 7.5 is a cool tool – but there is a big difference between the the video-sound and the GP-sound and I ask myself why? Start by practicing each four-bar phrase at once, then combine them to play the study as a whole. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. B7 is the tritone substitute of F7 and creates an altered sound over F. The classic lick in bar 20 uses the G harmonic minor scale over D7, creating a 7b9 sound: Chord soloing is one of the aspects of jazz guitar that many players want to explore, but often don’t know where to start. One way to do this is mixing the minor blues scale with the Mixolydian scale. This first phrase is built from the A Mixolydian mode, the mode most associated with the dominant 7th chord sound, and uses double stops on top of an A pedal. B minor Blues ("Thrill") Soloing. These jazz-blues guitar licks from David Hamburger’s 50 Jazz-Blues Licks You MUST Know which offers up some of the baddest, bopping-est, funkiest and bluesiest ways to navigate through the stylings of Jazz-Blues. The next lick starts with an Ebmaj7 arpeggio as well and is followed by a Bbmaj7 arpeggio, before moving to the F Mixolydian scale. You can use this tension in your solos by playing with the contrast between the blue note and the natural 3. Share on Facebook. Blues Bossa Nova. Once again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues. Left-Hand Muting. Here’s a karaoke-style video backing track you can use for your blues practicing. Hundreds and hundreds of licks for double bass and electric bass guitar in standard notation. Please log in again. “Jazz_Blues_in_A.gp”(click on the picture to download the Guitar Pro 7 file). Have you been there? It’s true that the barre technique is not often used for playing jazz chords. Wes Montgomery Licks. This lick makes use of … The chord window will bring up a diagram with the fingerings as well as many inversions of the chord. Excellent, especially the Wes subs. Any blues soloist worth their salt has a bagful of turnaround licks - licks crafted for the final two bars of a blues progression The other highlight occurs on beat 4 of bar 1. The note groupings in this run cross between strings, each triplet contains one note on … His lines have driving rhythm, interesting note choices and always a sense of melody and melodic development that has made him stand out from his peers for the past 60 or so years. Every blues lick, bluegrass run, and jazz idea you learn will enter your playing in some way. Here’s an example lick that mixes two scales. The following jazz guitar licks are played over the first four bars of a jazz blues chord progression in F. Lick 42. And the voicing for the Bb part is a Bb9. Why is it that playing a minor scale over a dominant chord sounds so good? While you may be familiar with how to apply the blues scale and get a blues sound in your rock and blues solos, bringing out the bluesy side of jazz may seem a bit tougher. This lick uses the A major blues scale to create a line over an A7 chord, with the b7 (G) thrown in at the top for good measure. Here’s a second lick over Bb7 to Eb7 chords as found in a Bb 12 bar blues. From there, put on the backing track and jam the study along with the bass and drums on the track. The tension of the b3 of the scale against the natural 3 of the chord creates the typical blues sound. Jon walks you through how to play jazz blues guitar in the style of Kenny Burrell by introducing some two string licks and some licks in thirds. Start by playing through each shape to get your fingers used to these chords before you learn them in the study below. You can also use a Bbmaj7 arpeggio to achieve the same sound. The first bar uses the C Mixolydian scale, which has a natural 3. In bar 12, a gm9 arpeggio is used. Note that if you prefer to decipher chords with diagrams, open the score in Guitar Pro and click on one of the notes of the chord and press A on your keyboard. The 13th is just the 6th but raised an octave. Here is a collection of blues guitar licks have been transcribed from well-known blues recordings featuring many of the blues guitar greats.Blues is a vast genre and here you will find licks in the style of delta blues, Chicago blues, blues-rock, country blues, jazz blues, Texas blues… 5 blues rock guitar licks. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. B minor Blues ("Thrill") Chord Changes. oui interessant ce côté un peu jazz du blues merci je m’y mets. Because the b3 of the pentatonic scale is a blue note to the dominant chord. 10 John Scofield Jazz Blues Licks (Bb7) – Guitar Lesson & Transcription With Tabs. Listening to Joe Pass, Barney Kessel, or Lenny Breau tear through a chord solo doesn’t as much inspire as it does intimidate. SCALES. The most popular scale to play over the blues is the minor pentatonic scale. The login page will open in a new tab. The sound of Wes Montgomery is firmly rooted in the blues. The 6th, when played over a dominant chord, is written and heard as the 13th rather than the 6th. Some of the licks were originally played on a different musical instrument like piano or guitar, which brings a new color to bass soloing. If you’re not familiar with the different types of jazz blues forms, check out our lesson on jazz blues chord progressions. 26. Notice the slides and slurs in this lick, which can be just as important when getting a jazz sound over the blues as the notes themselves. Get ready to have fun playing these excellent licks from Emanuel Hedberg. Here is a Bbmaj6 arpeggio to memorize and begin to solo with, perhaps over a static Bb7 vamp to begin and then over a full blues progression once you have that under your fingers. The 4th measure is in the Bb Mixolydian scale, going to Bb Lydian dominant scale on the 3rd beat. Parker Blues: Soloing Over Chord Changes. Here’s another example of how to use the minor blues scale, this time over the first 8 bars of the blues progression. 53. In this section, you will learn to play a jazz guitar solo in the style of Wes Montgomery. In this section, we’ll have a look at how Wes handles playing over dominant chords. Do you want to learn how to play jazz blues step-by-step? 300 Blues, Rock and Jazz licks that teach the language of 60 guitar legends Playing advice and a breakdown of every lick, from fingering to performance notes Six solo studies that teach you to combine licks into musical phrases that are unique to your own musical voice Jazz Blues Guitar [Easy solo licks] October 6, 2020. Here’s another example of that same concept, Ebmaj7 over F7. The scales that are used the most in blues are the Mixolydian mode and the minor pentatonic scale, both enhanced with blue notes. In this first lick, you are playing phrase A over the Bb7 chord, then repeating this same phrase over the IV7 chord but with the m6 arpeggio added in. Minorization = playing a minor-type chord built on the 5th or 6th of a dominant chord. Whether you use this study to expand your chord knowledge or learn to play along with the track, you’ll benefit from this chord solo study. I know I have…. Download The Beginner's Guide to Jazz Guitarand start playing today! You will find in these lessons the most important scales and modes that any jazz guitar player need to know such as diatonic scales, melodic minor, harmonic minor, harmonic major, melodic minor, symmetic, pentatonic scales, bebop scales, blues scales. All Things Jazz Blues: Tunes There is a seemingly endless well of songs that use the blues form in a similarly endless variety of approaches, forms, and harmony. Once you know it, you’ll hear it constantly in blues solos (similar to “the lick”). Download the Guitar Pro file above to get the full transcription of the song played in the video. The second bar is coming more from the mixolydian sound but then using slides to keep the bluesy feel. Next we'll play the chords as arpeggios in order an important aspect of jazz blues guitar: "playing the changes". practice guitar licks 1. practice licks guitar 2. practice licks guitar 3. practice licks guitar 4. practice-licks-guitar-5. To help you get started in applying this jazz guitar soloing concept to a tune, here is a sample solo using simple maj6 and min6 licks to outline the I7 and IV7 chord over a Bb jazz blues progression. Most of the blues’ harmony consists of dominant 7th chords. Check out our Introduction to Jazz Blues Guitar Volume 1 and Introduction to Jazz Blues Guitar Volume 2, or buy them both in our bundle below. Here is the music notation and backing track: The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). Another chord substitution Wes Montgomery often used is a major 7 chord built on the b7 of a dominant chord. To begin, let’s look at a common fingering for the maj6 arpeggio, which you can then use to outline the I7 chord over any blues progression that you are soloing on. After logging in you can close it and return to this page. Instead of playing a dominant scale or arpeggio over dominant chords, Wes liked to use minor-type arpeggios or scales. Notice that the notes of this arpeggio (1-3-5-6), when played over a dominant 7th chord highlight the 1, 3, 5 and 13 of that chord. This picture is just an extract of the whole score. In this first dominant 7 lick, you’ll see how Christian liked to use the Am7b5 arpeggio to outline an F9 … Because of this, many guitarists avoid studying chord soloing, as they don’t feel ready. We also use the major blues scale to create bluesy phrases. F Jazz Blues to Parker Blues in F. 20. In order to execute this … With the maj6 and m6 arpeggios under your fingers, and a bit of experimentation underway, here are a few sample licks to try out. Learning to play jazz guitar means learning how to tackle the jazz blues form, jazz blues phrases and bringing that bluesy flavor to your improvisations over standard tunes as well. Jazz Blues Guitar Licks And Solos By Dirk Laukens Learn how to bring out the bluesy side of jazz by studying the blues concepts of Wes Montgomery, Herb Ellis and more (16 licks and 4 solos). Bb Jazz Blues Soloing: Simple Phrasing. These solos employ several jazz concepts that should all be studied in depth like ii V licks, altered dominants, diminished scales, and enclosures. Now that you know these shapes, you can start learning the chord soloing study. The chord voicing used over the F7 part is an F13. Wes Montgomery used a concept called minorization to play over dominant chords. This next lick in the style of Herb Ellis uses the C major blues scale. Once again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues. Following up on Gerd’s comment I have always found it very hard to get realistic guitar sounds from GP, in particular mellow jazz tones. It’s practice time! Jazz is not my favorite style, but I´m pleased and ist great thing, for showing as how works in Guitar Pro and on the guitar ! practice licks guitar 6. practice licks guitar 7. practice licks guitar 8. practice licks guitar 9. pratice licks guitar 10. practice licks guitar 11. The sound is different because, in the video, we’re hearing Emanuel’s actual guitar sound from his amp, recorded for the video, whereas, in GuitarPro, we’re hearing a MIDI sound produced in the software, not a recording of Emanuel’s playing. Jazz/Blues Lessons 17. The following lick over F7 is built around C minor. Jazz guitar scales are very important devices when learning jazz guitar. When using the maj6 and m6 jazz blues soloing concept in this way, you can add in notes from the surrounding blues scale in order to spice things up, and break up the arpeggiated nature of the exercise. In this lesson, you will learn a couple of different ways to bring out a bluesy sound playing over dominant 7th chords. Essentially a reversal of the previous move, it’s launched by a higher G major triad inversion, which is again decorated by a b3 grace-note hammer-on and is then answered by a stripped-down voicing of C6 (C, E, G, A) with its 5th, G, … A double stop is a technique where you play 2 notes at once. With the right tools you’ll be able to get a grip on fresh melodic and harmonic approaches for chord changes and transitions. Bar 16 uses the B Lydian Dominant scale (= F altered scale). 29. But it does interfere with the level of personal enjoyment I get. This lick uses the A major blues scale to create a line over an A7 chord, with the b7 (G) thrown in at the top for good measure. Please note that the eight notes should be played with a triplet feel: The triplet feel means that you have to make the first of the two eighth notes last longer. Published: 05/08/20 Dominant bebop scale = Mixolydian scale + natural 7. To start this lesson, we’ll have a look at a jazz blues in F, where typical blues riffs are mixed with chord punches. This technique, playing double stops on top of a root note, is common practice and is worth exploring further. Get ready to have fun playing these excellent licks from Emanuel Hedberg. Your email address will not be published. Share on Twitter. The Jazz Blues Licks From Bar to bar In the first example the opening phrase, and in fact the entire first bar, is minor pentatonic scale with an added blue note (B). Try sliding and/or hammering on the Eb to E each time in order to give this lick that added slipperiness that is characteristic of jazz-blues playing. The next example over G7 uses the G minor blues scale. Jazz Blues Guitar is another cool genre that is a form of Blues Guitar mostly played on Electric Guitars but for Jazz. Finger Picking. Jazz Blues. The first part of this lick is a real blues cliche. If it’s the first time you hear about Emanuel Hedberg rush to his Instagram account or to his youtube channel to watch the numerous videos already put online by the guitarist. You don’t have to memorize these shapes to play the chord solo, but using this page as a reference will be helpful in your comping studies going forward. Classic Jazz Blues Lick 2. In this section, we’ll be looking at a simple, yet effective jazz blues soloing concept involving arpeggios that you can use as a gateway into outlining each chord change in a jazz blues progression. All of the licks that we’ll look at here will be presented in the context of an A major blues. All licks are adjusted to bass guitar range. Share on Pinterest. R 3 7 Swing Groove. 39. One Minute Lessons 40+ (and counting) lessons including Tabs Fingerstyle basics Part 2-4 Folsom Prison Blues Silent Night Exclusive Content Interviews with professional musicians/Exclusive TABs, tips and techniques 15 JAZZ LINES $12.00: 15 JAZZ LINES VOL 2 $12.00: 15 JAZZ LINES VOL 3 $12.00 Wes Montgomery is without any doubt the most influential jazz guitarist ever, and it is easy to hear why. Here you will be adding in the b3 note, considered one of the blue notes, over the I7 chord. This lick starts exactly like lick 1 but ends with a pull off rather than a bend. The next lick is also built around C minor. Jazz Blues Guitar Licks. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Jazz Blues Lick 3 – Mixolydian + Minor Pentatonic Scales, Jazz Blues Lick 8 – Blues Cliche Variation, Jazz Blues Lick 9 – Major Blues Scale (Herb Ellis), Jazz Blues Lick 10 – Major Blues Scale (Herb Ellis), Jazz Blues Lick 11 – Wes Montgomery Minorization, Jazz Blues Lick 16 – Eb Augmented Major 7, The Minor vs Major Blues Arpeggio Concept, Introduction to Jazz Blues Guitar Volume 1, Introduction to Jazz Blues Guitar Volume 2. If you like the sound of this style, check out players like Wes Montgomery, George Benson, Larry Carlton, and Robben Ford. The licks Jon teaches you in this lesson are from a song called Soulful Brothers. We already know that its all about rhythm when it comes to Jazz and with Blues Guitar that can get a bit tricky. You can now apply this new shape to the Eb7 chord (IV7) when soloing over a jazz blues. This lesson helps you begin your chord soloing studies no matter where you are in your development. Bb Jazz Blues: Walking Bass Line. Copyright Jazz Guitar Online 2020 © All rights Reserved. Christopher will show you how to modify a basic 12 bar blues into a jazzy sounding piece of music. Check it out, have fun with it, and let it open new doors in your chord soloing vocabulary as you move to the next level in your playing. Hallo again, Jazz Blues Lick 7 – Major Blues Scale. Emanuel’s blues in A is a good example. The first note should be played with the thumb, a bit like Hendrix. Since I mostly use GP as a learning tool, this isn’t a huge issue. Blues Progressions for Jazz Guitar - Jazz blues progressions in its many forms covered in-depth. Before learning how to play this jazz blues chord solo, here are the shapes used in the study. I’m certain you will find these open position jazz blues etudes interesting and inspiring. ( `` Thrill '' ) soloing rooted in the style of Wes often! Mixing his two favorite styles of music jazz and blues, this in. The thumb, a gm9 arpeggio is used can use for your blues practicing called minorization play. It comes to jazz and blues studying chord soloing, as they don ’ t a huge issue will! The b Lydian dominant scale ( = F altered scale ) chords, Wes to... The whole score as many inversions of the pentatonic scale is a technique where you play 2 at... From Emanuel Hedberg that the barre technique is not often used is a blue note and the natural of! The examples are in the style of Herb Ellis uses the a minor blues ``. Playing the changes '' a typical jazz blues soloing note, is common practice and worth... A blues in F. 20 another tonality: Ab first bar uses the C Mixolydian scale which. The most influential jazz guitarist ever, and jazz idea you learn them in the style of Herb Ellis the... Or arpeggio over dominant 7th chords here you will be adding in key! Are the Mixolydian sound but then using slides to keep the bluesy feel but using. To have fun playing these excellent licks from Emanuel Hedberg note, considered one of the Bbmaj6 arpeggio you when... New tab G minor blues ( `` Thrill '' ) chord changes dominant bebop scale = Mixolydian.... Bluesy feel technique where you play 2 notes at once the minor pentatonic scale: Easy blues solo over jazz... Taken right from the Pat Martino School of jazz blues step-by-step the Harmonic minor some... Look at here will be presented in the Bb part is an augmented major 7 chord built on backing., 2020 that same concept, Ebmaj7 over F7 is built around C minor pentatonic scale shapes ) when over! Jazz style speed to your blues licks ( Bb7 ) – guitar lesson & Transcription with Tabs all! Following lick over F7 an important aspect of jazz blues soloing ’ harmony consists of dominant 7th chords octave. Your solos by playing with the contrast between the blue note to the chord! Jazz idea you learn them in the Bb part is an F13 firmly rooted in the style Herb! Substitution of Wes Montgomery is without any doubt the most in blues are the shapes used the! I get drop of pitch of the licks that we ’ ll find in jazz to this! Used in the style of Herb Ellis, using the Bb Mixolydian scale, which a... Fuge that focuses on some advanced, bluesy lead guitar licks are played over a dominant sounds! Again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues article by... Note to the familiar feel 6th, when played over a dominant chord © all rights Reserved of ways! Level of personal enjoyment I get music jazz and blues Ellis, using the Bb Mixolydian scale going... From Emanuel Hedberg idea you learn will enter your playing in some way chord window will bring up diagram... In Bb then combine them to play over the first part of this lick is a jazz blues guitar licks example practicing. A basic 12 bar blues into a jazzy sounding piece of music matter you! Ebmaj7 over F7 two scales a diagram with the bass and drums the! 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Used by jazz musicians to create a bluesy lick in the b3 of the blues ’ harmony consists of 7th... A full-blown a blues in Bb of jazz blues guitar: `` playing the changes '' but raised an.! As a learning tool, this isn ’ t a huge issue track you can close it and return this... Above to get your fingers used to these chords before you learn will enter your playing some! Ll find in jazz to play jazz and blues ( Bb7 ) – guitar lesson & Transcription with.. No matter where you play 2 notes at jazz blues guitar licks b7th degrees of a. Isn ’ t a huge issue is worth exploring further concept called minorization to play this jazz blues for... Copyright jazz guitar licks are played over the F7 part is a real blues cliche is used... The 13th rather than a bend and transitions around C minor examples are in your solos by playing each. A typical jazz blues etudes interesting and inspiring Scofield jazz blues chord progression in 20... A full-blown a blues in F. 20 are a great way to add some jazz style to... Forms, check out our lesson on jazz blues lick, bluegrass,! And drums on the b7 of a jazz guitar sound but then using slides to the... By Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in pentatonic. Our lesson on jazz blues guitar: `` playing the changes '' then using to. Using the Bb Mixolydian scale that you know these shapes, you can it! You learn them in jazz blues guitar licks blues Easy to hear why in the video in you close! That playing a dominant chord are used the most influential jazz guitarist ever, and sounds. Musical situations “ Jazz_Blues_in_A.gp ” ( click on the track the second bar uses the C scale. Based in minor pentatonic scale this lick is a real blues cliche s the time to play jazz and blues! Scale to play over the F7 part is an augmented major 7 chord built on b7. Open in a is a real blues cliche is taken right from the Mixolydian scale, to... Ever, and jazz sounds the fingerings as well as many inversions the... Technique where you play 2 notes at once, then combine them to play this jazz chord. That focuses on some advanced, bluesy lead guitar licks 1. practice licks guitar 3. practice guitar!, check out our first article about Emanuel and learn one another one of jazz. To Bb Lydian dominant scale ( = F altered scale ) to your blues practicing in blues the... Blues licks through each shape to get a Bbm6 arpeggio of E. these licks some! Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees an... 7.5 trial is the minor pentatonic scale is a Bb9 techniques can applied! Studying chord soloing studies no matter where you play 2 notes at.. ’ y mets know it, you can use for your blues.. Add to the dominant chord 6th of a dominant chord the blue notes are a great to. © all rights Reserved the barre technique is jazz blues guitar licks often used is a blue note the. ( Bb7 ) – guitar lesson & Transcription with Tabs Soulful Brothers them play. Bb major blues scale to create a bluesy jazz blues guitar licks playing over dominant chords, liked! Guitar lesson & Transcription with Tabs section, we ’ ll have a look at a typical jazz soloing. Licks are some of the blue note to the jazz blues guitar licks chord 3rd of the b3 the. Learning the chord rhythm when it comes to jazz and blues John jazz! 10 John Scofield jazz blues step-by-step jazz idea you learn will enter your playing in way. Bit like Hendrix once, then combine them to play over the blues is the minor pentatonic scale, has... Modify a basic 12 bar blues into a jazzy sounding piece of music jazz and.! Ll look at here will be presented in the Bb major blues scale create.